Karl demonstrates the challenges and rewards of a dual lighting approach in this fashion photography class. You’ll watch Karl make a succession of adjustments to his lighting setup as he works to balance the global fill illumination and soft ethereal glow on the three square frames with the harder light he needs to direct at the model. Given their different sizes and positions, and the fact that they are white objects positioned in front of a white backdrop, getting the light on the frames just right requires a lot of trial and error. Particularly challenging is achieving the necessary dimensionality to make the frames stand out from one another and the cove. As the shoot progresses, Karl switches to shooting handheld and experiments with different lenses. With model Brit trying different outfits and poses, Karl continues to make adjustments in pursuit of the perfect contrast levels. What initially begins with one model, three square frames and two fill lights ends up requiring a total of five lights to achieve Karl’s desired result.
