A collection of presets and tools drawn from the printed spectacle of the Belle Époque circus – the showbills, the gaslight, the worn velvet, the smoke that hung in the air after the last act. There’s a particular feeling to a poster that’s lived a hundred years. Edges softened by a thousand hands. Colours muted by sun and time. The faint warmth of paper that has yellowed in attics and frame shops, in cellars and backstage corridors. Cirque Époque is built on that feeling – and on the spectacle the paper once advertised.
Three Creative Profiles
Each main preset is paired with a custom creative profile – the colour identity of the era, built from scratch through Photoshop, these profiles carry the deep work: the rusted crimsons, the dulled teals, the warmth of aged paper. Apply a profile on its own for a quieter version of the set, or let it sit underneath its matching preset for the full atmosphere.
The profiles are dial-able. Use them at full strength, or pull the profile amount back to taste – the colour identity scales with you.
The Three Acts (Presets)
Overture carries the daytime poster – sun-bleached teal skies and faded crimson, the kind of weathered grandeur that lives on a tent flap snapping in the wind. It’s where the show begins, before the lamps are lit.
Spectacle is gaslight and velvet, the deeper mood of the evening performance. Crimsons hold their richness. Shadows soften into mauve. The air feels heavier, the lighting more theatrical – the moment between acts when the audience leans forward.
Encore is the printed artifact itself: a yellowed handbill tucked into a programme, the warm sepia of paper that has carried its image through a century. A black and white tribute to the showbill as object.
